Friedl vom Gröller Movies

The setting of the film was simple and straightforward: the now 77-year-old Friedl vom Gröller asks a (homosexual) escort to do a nude film...

A young woman's body becomes the medium for the viewer’s projections of the stories and biographies that are imagined about her.

Five older women, loosely grouped in two rows, gaze into the camera. At times only details of their faces can be seen, a sixth woman walks through...

“La mia Camera” means my room, a balcony with curtains, (and my film camera). The main characters are the wind and its dancing playmate,...

The title appears in thick boldface print. A short sequence of documentary snapshots, filmed off found paintings. These images pick up on figures...

Im Wiener Prater is not about the amusement park that one normally associates with this name. The spectacle in the film takes place in a much more...

A cheerful ritual in praise of Mami Wata, a mermaid-like water spirit of life, sex and healing. A joyful show of Friedl vom Gröller's particular...

Past the newsstand, the hairdressers, by the dry cleaners. A door opens into a sick room. A very old woman lies there in her bed. Her body is...

A young woman sits on a bench in a baroque park. The motion of the wind in the leaves, in her hair, and also the flutter of her eyelashes, the...

Although this film does not follow the genre of the city portrait in any way whatsoever, it nonetheless presents a documentation of the...

In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. These...

Portraits and fragmented views of Paris intertwine.

Friedl vom Gröller doesn’t give Christiana Perschon an interview. She gives her more: the film of a brief encounter, which in its...

Redskins Redskins

The continuation of a portrait of Gaelle Obiegly. The focus of the film is not a portrait, but rather a wide variety of cable cords in a cellar,...

An ongoing portrait of Max Turnheim that begun in 2002 when he was 20 years old.

The filming of my discomfort at being a woman between the ages of 60-70 in our society has the function of a valve. It is based on the...

A wink to the reaper that awaits us all, smile on the lips.

In Maya Deren’s AT LAND, each vision of a foot hitting the ground took us into a new space via the magic of montage. DAS RAD works a similar...