Yann Beauvais Movies

"The Palestinians would be crushed like grasshoppers... their heads smashed against the boulders and walls."

Filmed in August 1997, in the New South Wales, then left to decay for several years in other tropical climates, before being scanned and finally...

Film boundaries explore the garden geometry of the royal paths at Versailles, wandering among gilded statues and dry fountains. Nostalgia for bygone...

In Éliclipse, postcard images of Parisian landmarks are cut into vertical bands; every other stripe of the image is replaced with a...

This film is a series of shot or found sequences (about, of cities that I frequent) which, in the editing, display a fluidity and continuity eluding...

A pile of cuties. Fashion and its code somehow shaken.

Result of a slow decomposition of 16mm prints of QUATR'UN in Recife. One set was scanned frame by frame and cropped to include the perforations....

A trip to Riga and Moscow in the fall of 90. Confrontation between the reality of the places and a cinematographic memory of some of these same...

“Reading Rimbaud today means to relate his experiences, his desires, to ours – it means that we see a strong connection between his quest...

VO/ID juxtaposes two separate texts, one in French and the other in English. The texts question art and experimental cinema, the role of the market...

The is the first filmed diary made by Yann Beauvais.

"It is above all a portrait of Miles McKane. Making a portrait, shooting a portrait are all modes of perpetuating/appropriating a person's image....

Mainly sketches of different places crossed: the United States, Versailles and Paris. The film ends with a sculpture by Miles McKane.

A short trip to Buffalo in order to show some of my works, invited by Paul Sharits.